The “Splatter Film” phenomenon - Few categories of motion pictures enjoy the perpetual popularity of the genre Herschell Gordon Lewis literally invented half a century ago. The original gore-movie, "Blood Feast" (1963), was as primitive as any movie could be. Yet, it shows in theaters to this day, and is a DVD favorite. Herschell’s personal favorite, "Two Thousand Maniacs" (1964), has a plot-line centering on a small U.S. southern town that “gets even” for that country’s Civil War. Despite what one might or would think is a plot of local interest only, the film has long been an international success, and wherever the director travels – in Canada, the U.S., Europe, or the Far East – he is called on to sing the theme of that movie, which he wrote.
"BloodMania," Herschell promises, carries the slasher advantage to a new height. “First of all,” he points out, “we've brought young directors into the slasher arena and given them tools and effects that just didn't exist when we originated the category. BloodMania has four dynamic episodes. I’m directing two of them. The other two are ... well, critics will have a difficult time choosing which of those episodes is the most effective, because we’re opening wide the gates of effects nobody has seen before.”
Top International Technicians - James Saito, the Diabolique Films executive of the "BloodMania" team, who has assumed the challenging job of recruiting major talent, has chosen some well known genre experts for the project. One example is award-winning Screenwriter/Producer Bob Schultz, whose last two horror films Mr. Saito points out, have been screened around the world, on every continent except Antarctica. Mr. Schultz is writing one of the episodes Mr. Lewis will direct. Each of the other directors will create his or her own episode, and Jim Saito promises a competitive atmosphere that will result in “scenes that blast off the screen.” The promise made by both Herschell Gordon Lewis and James Saito: "BloodMania will set a level of entertainment, shock, and wild humor that will be the benchmark for years to come."
Jim says... "I saw my first Herschell Gordon Lewis movie at a drive-in theater in 1971. It change the way I looked at horror cinema, and was instrumental in shaping me into the gore-hound that I am today. The fact Mr. Lewis has specifically chosen Diabolique Films as the vehicle for a long-awaited new venture is not only thrilling, but a particular honor. Satisfying his legion of fans and introducing his brand of cinema to a new younger audience is a responsibility that we all take very seriously indeed!"