Los Angeles, California: Producers and brothers Jon and James Kondelik have revealed more from their “serial killer fever dream” The Divine Tragedies. The second trailer for the film shows more of the film’s story and more of the plot’s central conflict. Two psychotic brothers have plans to pull off the perfect murder. But, Detective Homer Gaul (Ken Foree) has other plans for the brothers as seen in this exclusive clip.
The Divine Tragedies has already played before audiences, to rave reviews. Matt Boiselle, of DreadCentral.com, has said of the film’s energy: “Ferocious…one of the better films in sometime.” As well, the film fan site Ain’t It Cool News also has something to say of the film’s writing: “one of the most original and entertaining films I’ve seen in ages.” Some of the inherent quality within The Divine Tragedies can be seen in the second trailer, found here.
The clip is a visual marvel. Shot by director Jose Prendes (The Haunting of Whaley House), the second trailer reveals more of the film’s surreal shooting style. Full of dark and bloody imagery, the second trailer invites horror fans into a disturbing ride to murder and madness. The full trailer waits below.
It's not every day I get to attend a film festival in LA so I was really excited about traveling to California for Shockfest Film Festival. Escorted by actor/director Alex Ballar, we made our way to Raleigh Studios for the "For Kids... Not" screening block that included two short films, Adam and Kill Devil Hill (my review here) and the feature Children of Sorrow. I was pleasantly surprised to see a packed audience for the return of the Rogue River duo, Jourdan McClure and Ryan Finnerty.
Ellen (Hannah Levien) is on a mission to find out what happened to her sister. Her last known location was a compound in Mexico where she had gone to "find herself". Simon Leach (Bill Oberst Jr.), the enigmatic leader of the cult, happily accepts her into the fold and introduces her to their way of life. At first she's hell bent on finding out the fate of her sister but the longer she's there, the more she starts buying into the cult type rhetoric and is systematically sucked into their lifestyle. Simon uses his influence to break them down one by one, exposing their weaknesses and leaving them completely vulnerable so he can step in and fill the void. He convinces them that his way is the only way and eventually manipulates them into doing the most horrific things.
The thing with most Indie films is that often times they will suffer in one area or another because of a lack of funding. It seems inevitable these days that a film either has a great cast or a great visual story. Thankfully, McClure seemed to have a strong grasp on the casting part of this conundrum. What had to be an emotionally draining experience on them, each and every cast member played their part to a tee. It's been a while since I've seen a film where the commitment of the actors was so fierce. Oberst dominates the screen (as always) and gives the performance of his career. It's hard to know his personality and imagine that he could even come close to capturing a character with this degree of sadism. He is nothing less than mesmerizing on screen, especially in this film. The perfect storm of perversity.
Shot in four different perspectives, Children of Sorrow delves deep into the inner workings of cult life. We get little glimpses from Hannah's camera as she secretly films her infiltration of the camp. Father Simon records his ventures citing posterity reasons. Mary (Whitney Nielsen) takes the reins when Simon decides he wants to be in front of the camera. Lastly, we have the security cameras. This is where we get to see the true Father Simon. In front of the camera, he may seem like a confident, loving person but behind the scenes, he's really a self hating, manipulative, controlling con artist that gets off on playing with people's emotions. In my opinion, there is nothing more horrifying than the deliberate terror that one human can inflict on another and writer Finnerty weaves quite an entangling web of truly intense horror.
While I thoroughly enjoyed this film and will highly recommend it to anyone who enjoys a hard core psychological horror, I did feel at some point the direction of the film got lost. I'll explain... the first quarter to half of the film, the main focus seems to be all about Hannah finding her sister but somewhere in the midst of this, it shifts and becomes all about Father Simon. It's possible that it was intentional and that the more she became seduced into the family, the more irrelevant her story became. In which case, I would've liked to have seen a smoother transition into that story line. However, this absolutely does not take away from the fact that this is a truly terrifying look into the cult psyche. Forget jump scares and things that go bump in the night, this is how real horror is done.
The first trailer for Children of Sorrow, from Rogue River director Jourdan McClure and writer Ryan Finnerty has just been released. In the film a young woman embeds herself in a cult looking for answers to her sister’s disappearance, only to find a dark secret within the cult and an even darker secret within herself.
Director Jourdan McClure says, "Children Of Sorrow" is unlike anything I thought I would do. It’s really my attempt at a P.O.V Mocku-horror film with roots in the slice of life genre. The story is told through the lenses of diegetic devices. This is not found footage but this style utilizes elements of the FF aesthetic along with the documentary presentation to make something unnerving and interesting.”
“A young woman embeds herself in a cult looking for answers to her sisters disappearance, only to find a dark secret within the cult and an even darker secret within herself.
COS is pretty unlike anything I thought I would do. It’s really my attempt at a P.O.V Mocku-horror film with roots in the slice of life genre. The story is told through the lenses of diegetic devices. This is not found footage but utilizes elements of the FF aesthetic along with the documentary presentation to make something unnerving and interesting.”
